王维山水田园诗中的人物布局及其美学意蕴

On the Character Layout and Aesthetic Implications in Wang Wei’s Landscape Pastoral Poems

王维是盛唐诗画双绝的文人典范,其诗歌融通画法,以画之布局结构诗篇。其山水田园诗中或隐或显出现点景人物,人物在诗歌布局上嵌入山水之中,景大人小、景深人远、动静结合、虚实相生,表现出层次错落的构图美、不写之写的空灵美和浑然天成的和谐美。这些人物虽占据空间很小,但皆为点睛之笔,成为诗中重要的支点,深化诗歌意蕴,提升诗作美感,同时也传达了诗人的理想追求。

Wang Wei is a model of literati who is excellent in poetry and painting in the prosperous Tang Dynasty.His poetry integrates painting methods and uses the layout of paintings to structure poems.In its idyllic landscapes,there are sometimes hidden or apparent some staffage figures in the scene,and these figures were embedded in the landscape in the layout of the poem.When the scene is big,people are small,and when the scene is deep,people are far away.It also emphasizes the combination of movement and stillness,and the coexistence of the virtual and the real.All the above show the beauty of composition with scattered layers,the ethereal beauty of writing,and the beauty of natural harmony.Although these embellished figures occupy a small space,they are all the finishing touches and become an important fulcrum in the poem.Its purpose is to deepen the connotation of poetry and enhance the beauty of poetry,while also conveying the poet’s ideal pursuit.