摘要
同样以水体为抒写对象,从短诗《河流》《河水又涨上来了》到长诗《大江去》,冉冉在诗艺上的精进有目共睹。《大江去》以水为基、以江为脉,融合地域生活经验与人类共同生命体验,凝缩出一部具有“类”意义的生命史。精心打造动态复合四维时空,以感觉牵引文本叙述,注重自然本真状态的还原。这首长诗以巧妙的结构布局、混融的生态伦理意识与宁谧纯净的诗歌质地,成为诗人长诗创作的重要成果,也为当代长诗写作的文本设计与生态伦理表达提供了启示。
The progressive efforts in poetic art made by Ran Ran can be obviously seen from her short poem“River”and“The River is Rising Again”to the long poem“The Great River Flows”,of which the thematic matter is about water.Taking water as the basis and river as the vein,“The Great River Flows”is a life history with the meaning of“category”,combining the experience of regional life and that of common human life.It elaborately creates a dynamic composite four-dimensional space and time,pulls text narration with sense and pays great attention to the restoration of natural state.With its ingenious structural layout,mixed ecological ethics and quiet and pure poetic texture,this long poem has become an important achievement of her long poem creation,and also provides inspiration for the text design and ecological ethical expression of contemporary long poem writing.
作者
蒋登科
臧梓洁
JIANG Dengke;ZANG Zijie(Institute of Chinese New Poetry,Southwest University,Chongqing 400715,China)
出处
《衡水学院学报》
2022年第6期103-109,113,共8页
Journal of Hengshui University
关键词
冉冉
长诗
《大江去》
文本建构
生态伦理
感觉
Ran Ran
long poems
“The Great River Flows”
text construction
ecological ethics
sense