“江西画派”罗牧山水画探析

An Analysis of Luo Mu's Landscape Painting in the“Jiangxi School”

罗牧是明末清初大变革时期画坛极为重要的山水画家,也是江西画派的开派画家。江西画派是江西南昌的一个绘画流派,清代初期,由于社会的安定与经济的繁荣,为当地的美术发展提供了强有力的支持,形成了该画派。文章通过对罗牧山水艺术的研究,从社会层面和罗牧的师承关系来分析罗牧山水的发展和形成原因,并对其绘画技法的继承和发展进行了分析,进而研究罗牧山水在中国美术史上的艺术价值。分析在罗牧画家群体相互影响下,促成的江西画派独特的地域美学思想,进一步丰富了罗牧与“江西画派”的价值,为江西艺术的传承开辟了新的视野。

Luo Mu was an extremely important landscape painter in the great revolution of the late Ming Dynasty and the early Qing Dynasty.He was also a pioneer of the Jiangxi School of Painting in Nanchang,Jiangxi Province.In the early Qing Dynasty,due to social stability and economic prosperity,it provided strong support for the development of local fine arts and formed this painting school.Through the study of Luo Mu's landscape art,this paper analyzes the reasons for the development and formation of Luo Mu's landscape art from the social level and the relationship between Luo Mu's teacher and disciple,and analyzes the inheritance and development of his painting techniques,and then studies the artistic value of Luo Mu's landscape art in the history of Chinese art.This paper analyzes the unique regional aesthetic thoughts of the Jiangxi School of painting,which are facilitated by the mutual influence of Luo Mu's group of painters,further enriches the value of Luo Mu and the“Jiangxi School of Painting”,and opens up a new vision for the inheritance of Jiangxi art.