弗吉尼亚·伍尔夫在中国百年接受历程述评

A Review on Virginia Woolf’s Acceptance in China For One Century

弗吉尼亚·伍尔夫文学创作及文学观被引入中国近百年,经历了20世纪30年代关于意识流创作及现代小说形式的讨论和接受,在80年代后期又以女性主义文学批评旗手的身份备受重视和理论倚重,进入21世纪后工业时代,在身体美学兴起的当下,伍尔夫关于身体的书写和认知再次走到文艺批评话语前沿。伍尔夫关于文艺的理念以播撒、延异的形式存在于文学领域,从不同维度持续焕发新生力。考故以启新,梳理伍尔夫文学观念的中国引介、接受情况,将有利于更清晰认知中国现当代文学中的伍尔夫元素。经由对伍尔夫文学观在中国学界延续与变迁现象的探讨,也可管窥中国现当代文艺领域前进道路中的“拿来主义”姿态。

Virginia Woolf’s literary creations and viewpoints have been introduced to China for nearly a century.Scholars mainly discussed her stream-of-consciousness writing style and modern novel forms in the 1930s,and she was highly valued as the standard bearer of feminism in the late 1980s.In the post-industrial era of the 21 century and with the rise of somaethestics,Woolf’s writing and perception on the body was regarded as the forefront of literary critical discourse.Woolf’s ideas about literature and art existed in the field of literature in the form of dissemination and difference,and have continued to renew their vitality from different dimensions.In order to enlighten the research on Woolf’s literary viewpoints in China,the article will review the acceptance of Woolf’s writing and literary outlook in the past 100 years.It helps researchers to recognize Woolf’s influence on Chinese contemporary literature more clearly.By exploring the continuation and changes of Woolf’s literary viewpoints in the Chinese academia,the article offers a glimpse of the"borrowlism"in the development of Chinese modern and contemporary literature.