多维叙述与自在状态——赵树理小说叙述主体分化问题探析

Multi-dimensional Narrative and a State of Ease——Analysis on the Differentiation of Narrative Subject in Zhao Shuli’s Novels

文学研究者们通常认为,赵树理的小说是全知式的“说书人”形式,但结合叙事学的一些理论进行研究发现,赵氏小说中的叙述者并非只有一个,进而使他的小说形成了叙述的分层和叙述者权力的分化。在这些叙述中,画面和声音的交织使赵树理的小说形成了多维的叙事空间。但无论其叙述者的权力如何分化以及其叙述呈现何种方式,这些次叙述者始终呈现为一种自在的状态,而这种状态也恰恰是赵树理文学独特性的一种。

Literary researchers generally believe that the narrative style of Zhao Shuli’s novels is omniscient“storyteller”, but according to the theory of narratology, we find that the narrators in his novels are not only one,which leads his novels to stratification of narrative and division of narrators’ power. In these narratives, the interweaving of pictures and sounds makes Zhao’s novels form a multidimensional narrative space. However, no matter how divergent the powers of these narrators are and how the narrative is presented, these subnarrators are always in a state of ease, which is one of the uniqueness of Zhao Shuli’s literature.