徐浩峰武侠类型电影中的实验性探索

The Experimental Exploration of XU Haofeng’s Martial-art Films

徐浩峰在武侠片的套路与陈规中寻求创新,从电影剧情的叙事逻辑中解放出来,淡化了戏剧化的起承转合表现,用影像本身推动叙事,在梦幻心理剧、隐喻表达、声音处理与创作观念等方面进行前卫探索,使自编自导的武侠片呈现出先锋性、实验性、作者性的特质,形成了具有现实感、历史感的“硬派武侠”风格:真实、粗粝、凌厉、劲道,在写实中呈现写意,为传统武侠类型片赋予艺术电影般的全新质感,丰富并提升了中国武侠电影的创作空间与美学意蕴,展示了一个优秀文人导演的才华与潜质。

XU Haofeng seeks innovations by breaking through the conventions and stereotypes of martial-art films to liberate himself from the narrative logic of the plot and to weaken the dramatic transition by employing the image itself to promote the narrative. Besides, he makes avant-garde exploration in the aspects of fantasy psychodrama, metaphoric expression, sound processing and creative concepts. And thus the martial-art films written and directed by him display the characteristics of vanguard, experimentation and authorship, forming a style of “tough swordsmen” with a sense of reality and history, being real, coarse, tough and forceful. These films endows traditional martial-art films with a brand-new attribute as a factual representation and thus they enrich and improve the creation space and aesthetic connotations of Chinese martial-art films, and demonstrates the talent and potential of an outstanding literati director.