摘要
传统的陶瓷绘画在古代美学思想和国画笔墨的语言中形成和发展,逐渐成为独立的陶瓷艺术门类。然而,在当代多元化的社会背景下,陶瓷釉上彩绘语言需要创新和发展,来满足现代人的艺术审美和文化精神需求。陶瓷釉上彩绘在不断的实践中,通过改进陶瓷绘画颜料,探索不同的烧制氛围,融入其它绘画的艺术语言,注入个人对陶瓷艺术的理解和对生活的感悟,新的陶瓷釉上绘画语言逐渐走向多样,丰富了当代陶瓷绘画艺术。
Using the research methods and means of art,sociology and literature,this paper,taking the Ming ceramics in the British Museum as an example,expounds the the Ming ceramic pattern ornaments from the following perspectives:folk stories,religious ideology,and the life of common people.Findings of the paper:the realistic approach in folk story pattern,the popularization of the religious ideology pattern,and the vitality shown in the picture of people's living,all of which not only are a reflection of the popularization of the Ming ceramic pattern but also the solidification of the living conditions of the Ming Dynasty.
作者
曾超
Zeng Chao(Jingdezhen Mulin Ceramics Co,Ltd,Jingdezhen,333000)
出处
《陶瓷研究》
2022年第4期120-122,共3页
Ceramic Studies
基金
江西省文化名家暨“四个一批”人才工程青年项目——江西省宣传思想文化青年英才。
关键词
陶瓷绘画
釉上彩
新探索
综合装饰
Ceramic painting
Overglaze
New exploration
Comprehensive decoration