摘要
“艺”与“道”的言说是中国艺术哲学的核心命题之一。针对创作活动中“艺(技)”与“道”的关系,苏轼提出了“有道有艺”“技道两进”“道可致而不可求”“学以致其道”等观点,本研究将其概括为“艺道两进”观。“道”可以从“灵感”的获得中体悟,而“道”不是凭空而得,把握“道”必须在“技艺”上达到高超的水平并逐渐超越之,二者是相辅相成的辩证关系。
The narration of“Art”and“Tao”is one of the core propositions of Chinese philosophy of art.Aiming at the relationship between“Art(Technology)”and“Tao”in creative activities,Su Shi put forward“have Tao and Art”“skill in Art and Tao”“get Tao only by practice”“learn Tao”and so on.This research summarizes it as the concept of“advances in Art and Tao”.“Tao”can be realized through the acquisition of inspiration,and to grasp the“Tao”,we must reach a superb level in the“skill”and gradually surpass it.These two are mutually complementary and dialectical.
作者
申浪
SHEN Lang(Institute of Chinese Culture,Beijing Language and Culture University,Beijing 100083,China)
出处
《广西科技师范学院学报》
2022年第4期16-22,共7页
Journal of Guangxi Science & Technology Normal University
基金
教育部哲学社会科学研究重大课题攻关项目“中华诗词的语言艺术原理及其生成机制研究”(18JZD021)。
关键词
苏轼
“艺”
“道”
灵感
“艺道两进”
Su Shi
“Art”
“Tao”
inspiration
“advances in Art and Tao”
