摘要
在宋代著名诗论家严羽的《沧浪诗话》中,“兴趣”说的诗学本旨脱胎于“兴”的诗学传统,即由“兴”生“趣”。外物的变化引发诗人内心的变动,从而实现想象力的灵动与飞跃,使诗人获得创作灵感。“以禅论诗”丰富了“兴趣”说的理论资源,而“以盛唐为师”为“兴趣”说提供了文本参证。厘清“兴趣”说以诗人为中心的诗学本旨有利于把握《沧浪诗话》的理论内涵,对宋代诗学理论的进一步阐发具有借鉴意义。
In Yan Yu’s Canglang Shihua,the original meaning of“Xingqu”is derived from the poetic tradition of“Xing”.The change of foreign objects leads to the change of the poet’s heart,so as to realize the flexibility and leap of imagination and obtain creative inspiration.“Discussing poetry with Zen”enriches the theoretical resources of the theory of“Xingqu”,and“learning from Tang Poetry”provides textual evidence for the theory.Clarifying the poetic meaning of the theory with the poet as the center is conducive to grasping the theoretical connotation of Canglang Shihua and has reference significance for the further elucidation of poetic theories of Song dynasty.
作者
田皓文
TIAN Haowen(School of Humanities,Shaanxi University of Technology,Hanzhong 723000,China)
出处
《广西科技师范学院学报》
2022年第4期23-30,共8页
Journal of Guangxi Science & Technology Normal University
关键词
《沧浪诗话》
“兴趣”说
诗学本旨
释义学
知识考古
Canglang Shihua
the theory of“Xingqu”
intrinsic meaning of poetics
hermeneutics
archaeology of knowledge