论丝路审美文化的事件阐释学维度

On the Dimensions of Evential Hermeneutics of the Silk Road Aesthetic Culture

在“事件阐释学”视野下重新审视丝路审美文化,有助于走出以往研究中的“文本中心主义”和忽视丝绸之路“史前史”的误区,从而将“表征的丝绸之路”与“丝绸之路的表征”统一起来。事件论为我们从文本的、图像的、物质的、行为的等领域剖析丝路审美文化开拓了新的阐释空间,流动性、连通性、生成性始终贯穿其中。文本阐释学、图像阐释学、物质阐释学和行动阐释学彼此依存相互作用,辐辏于事件阐释学,形成一个“四方游戏圆环”和“多元系统”。丝路审美文化与“事件阐释学”的结合,是对西方事件理论的问题域转换和再语境化,同时也扩展和变革了我们的研究方法和阐释视野。

Reexamining the aesthetic culture of the Silk Road from the perspective of “evential hermeneutics” will be helpful to break out of the misunderstanding of “text-centrism”,and the neglect of “prehistory” of the Silk Road in previous studies, so as to unify “the Silk Road of representation” and “representation of the Silk Road”.The event theory opens up a new interpretation space for us to analyze the Silk Road aesthetic culture from the fields of text, image, material and action;and mobility, connectivity and generation run through it all the time.Textual hermeneutics, image hermeneutics, material hermeneutics and action hermeneutics interact with each other, converge on evential hermeneutics, and have formed a “quadrilateral play circle” and a “polysystem”.The combination of the Silk Road aesthetic culture and evential hermeneutics has transformed the problem domain and recontextualized the western event theory, and at the same time expanded and transformed our research methods and interpretation vision.