越剧艺术中老生行当边缘化现象分析及其价值重估

Analysis of the Marginalization of Laosheng in the Art of Yue Opera and Its Value Revaluation

自越剧进入上海后,老生行当的地位总体上处于边缘化视域之中。从这一现象出发,结合越剧舞台实践,对它处于边缘化状态的具体表现和产生的内外两层原因进行了细致讨论,并融合对当前越剧运营和培养现状的反思,重估其可被适用的当代艺术价值,提炼出越剧老生行当宝贵的表演理论与经验,为当前越剧艺术培养、运营及表演体系的锤炼提供了参考。

Since the entry of Yue Opera into the city of Shanghai,the position of Laosheng is generally in the perspective of marginalization.Starting from this phenomenon and combining with the stage practice of Yue Opera,this paper discusses the specific manifestations of its marginalization carefully as well as the internal and external causes,which also integrates the reflection on the current situation of the operation and training of Yue Opera to reassess its applicable contemporary art value and refine the valuable performance theory and experience of the of Laosheng in Yue Opera.It provides a reference for the training,operation and performance system of the current Yue Opera art.