根植民族沃土,追寻时代新声——浅析《诗路风雅颂》的舞台艺术创作

Rooting in the Fertile Soil of the Nation and Pursuing the New Voice of the Times--Analysis of the Stage Art Creation of Feng Ya Song of Poetry

《诗路风雅颂》是一台以戏曲元素为核心,融合了器乐、声乐、舞蹈等艺术门类,采用现代舞美技术来体现中国传统诗词之美的综合性演出。它是浙江文化艺术发展基金资助项目,同时也是浙江省舞台艺术“1111”人才计划培养成果的展示,因此汇集了一批戏曲、声乐、器乐、舞蹈、创作及舞台技术等门类的浙江省中青年优秀舞台艺术人才。《诗路风雅颂》的内容核心是中国传统文化;演出形式是结合唱、演、戏、乐、舞的综合性表演;舞台形式是多维度多空间多手段的现代舞台技术。作为一台融合多种艺术元素、汇集多类艺术人才,并采用多媒体舞台新技术的演出,《诗路风雅颂》在立足传统的基础上,采用跨界联合的方式,积极探索了当代舞台艺术的创作之路,也让我们看到了浙江舞台艺术工作者在拓展创新之路上的态度和努力。《诗路风雅颂》对艺术的融合跨界尝试和对舞台新形式的探索也值得舞台艺术创作者们分析和思考。

Feng Ya Song of Poetry is a comprehensive performance with opera as the core,integrating instrumental music,vocal music,dance and other artistic disciplines,using modern stage art techniques to reflect the beauty of traditional Chinese poetry.It is a project funded by Zhejiang Culture and Art Development Fund,and also a display of the training results of“1111”talent program for stage art in Zhejiang.The core of its content is traditional Chinese culture,the performance form is a comprehensive performance combining songs,performances,opera,music and dance,and the stage form is a multi-dimensional,multi-spatial,multi-method modern stage technology.Feng Ya Song of Poetry adopted a cross-border joint approach on the basis of tradition and actively explored the path of contemporary stage art creation.Its attempts of cross-border integration of art and the exploration of new forms of stage are also worthy of analysis and consideration to stage art creators.