reflexive interpretation of the paradigm construction of ritual sound"Interpretive Ethnography"as seen in the example of"Ritual Sound Interpretive Ethnography"
2Hood, Mantl. 1957."Training and Research Methods in Ethnomusicology. "Ethnomusicology Newsletterl 1 : 2-8.
3Hood, Mantl. 1963. “The Enduring Tradition:Music and Theater in Java and Bali. ”In Ruth T. MeVey, ed, Indonesia, pp. 438-560. Southeast Asia Studies, Yale University, by arrangement with HRAD Press, New Haven, Conn.
4Hood, Mantl. 1980. Music of the Roaring Sea. Book I of the trilogy The Evolution of Javanese Gamelan. Wilhelmshaven: Heinrischshofen.
5Hood, Mantl. 1982.In The Ethnomusicologist. New edition of 1971 edition. Kent, Ohio: Kent State University Press.
6Hornbostel, Erich M. yon. 1905. "Die Probleme der vergleichenden Musikwissenschaft," Zeitschrifi tier internationalen Musiegesellschaft 7: 85-97.
7Hombostel, Erich M.von and Sachs, Curt. 1914[1961; 1992] . "Systematik der Musikinstrumente." Zeitchrifi fur Ethnologie 46: 553-90.
8English translations by Anthony Baines and K. P. Wachsmann, "Classification of Musical Instnnnents, "Galpin Society Journal 14: 3-29, 1961
9English translations by Anthony Baines and in Helen Myers, ed., Ethnomusicology: An Introduction, pp. 444-461, 1992, New York: W. W. Norton.
10Jones, William. 1964. [1784] On the Modes of the Hinbaos, in Sourindro Mohun Tagore, Hindu Music from Vaious Authors (Varansi : Chowkhamba Sanskrit Series), pp. 88-112. Originally Published in Asiatick Researches.
