由情入理:1958年牛文、李焕民藏族题材版画创作的叙事路径与图史想象

From Emotion to Reason:Narrative Path and Picture History Imagination of Niuwen and Li Huanmin’s Tibetan Printmaking Creation in 1958

1958-1960年期间,身处西南重庆的牛文和李焕民在祖国边疆的广阔天地中深扎民族沃土,探索出一条“由情入理”的描绘藏区社会风貌的叙事路径。他们通过藏区之行的见闻与记忆来把握作品的内容与情感,记录、挖掘、提炼、再现了一个包含抒情性、纪念性和想象性的情动瞬间,既拓展了版画艺术的形式语言,也生成了为中华民族大家庭所共感、共享的边疆视觉与“民族-国家”的图史想象。

During 1958-1960,Niuwen and Li Huanmin,who were in the southwest of Chongqing,dug deep into the fertile land of the nation in the vast frontier of the motherland,and explored a narrative path that described the social landscape of Tibetan areas from emotion to reason.They grasped the content and emotion of the works through their experiences and memories during their trip to Tibet.And they also recorded,excavated,refined and reproduced an emotional moment containing lyricism,commemoration and imagination,which not only expanded the formal language of print art,but also generated the border vision shared by the Chinese nation family and the image of“nation-country”.