1956-1965年景德镇陶瓷雕塑实用器物的设计及转化研究——以陶瓷雕塑台灯为例

Study on the Design and Transformation of Practical Implements for Ceramic Sculpture in Jingdezhen from 1956 to 1965——A Case Study of Ceramic Sculpture Table Lamp

1956-1965年的景德镇陶瓷雕塑实用器物有着不可忽视的文化价值、艺术价值和经济价值。本文主要以典型的器物雕塑台灯为例,对1956-1965景德镇陶瓷雕塑实用器物的设计及转化进行研究。在“适用,经济,美观”大原则下,注重功能性、生活性、艺术性、主题性,在艺术设计作品造型转化生产制作、市场销售等方面形成一套法则,使产品具有基于功能的美学设计,育于民间的亲和装饰,多元探索的形式风格。以此研究还原景德镇陶瓷生产转型时期集体生产制度下的陶瓷设计与生产,并为今后艺术化产品设计、艺术品产业化提供参考。

From 1956 to 1965,the practical implements for ceramic sculpture of Jingdezhen have Cultural,artistic and economic values that can not be ignored.This paper mainly takes the typical sculpture table lamp as an example to study the design and transformation of Jingdezhen ceramic sculpture practical implements from 1956 to 1965.Under the principle of“application,economy and beauty”,we pay attention to the functionality,living,artistry and theme,and have formed a set of rules in the artistic design works of modeling transformation production,marketing and other aspects,making the products have the aesthetic design based on the function,educated in the folk affinity decoration,the form style of diversified exploration.It is expected to study and restore the ceramic design and production under the collective production system during the transition period of Jingdezhen ware production,and to provide reference for future art product design and industrialization of art products.