摘要
20世纪是一个中国歌剧诞生、发展与繁荣的时代,从20年代儿童歌舞剧的诞生,到40、50年代中国新歌剧的夺目绽放,再到70、80年代间中国歌剧的再次焕发生机,造就了中国歌剧在20世纪的生成与发展史。本文以新文化、新中国、新时期、新世纪为四大关键节点,简要回顾近百年中国歌剧研究的演变历程,并就文献整理与经典诠释两大板块对歌剧百年研究的主要成就加以简要总结,以期从中获得有益的思考与启示。
The 20th century was an era in which opera was born,developed and flourished in China.The history of the generation and development of Chinese opera in the 20th century has been shaped by the birth of children’s opera in the 1920s;the blossoming of new opera in the 1940s and 1950s,and the rejuvenation of Chinese opera in the 1970s and 1980s.This article briefly reviews the evolution of studies of Chinese opera in the past century,marking the New Culture,the new China,the new period and the new century as four key points of time.The main achievements of the studies are also briefly summarized in terms of documentation and classic interpretation,with a view to gaining useful reflections and insights from them.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2022年第5期25-36,共12页
Drama:The Journal of the Central Academy of Drama
基金
教育部哲学社会科学研究重大课题攻关项目“中国特色戏剧学学科建设研究”(项目编号:19JZD035)
山西省教育科学“十四五”规划2021年度专项课题“课本剧在小学道德与法治教学中的应用”(项目编号:SZ-21065)的阶段性成果。
关键词
中国歌剧研究
文献整理
经典诠释
Chinese opera studies
documentation
classic interpretation