剧场性与节庆性——论瓦赫坦戈夫幻想现实主义的核心内涵

Theatricality and Festivity:Essence of Vakhtangov’s Fantastic Realism

本文围绕瓦赫坦戈夫创作思想中“让剧场性回到戏剧中去”“没有节庆性,就没有演出”的戏剧美学主张,辨析、追溯瓦赫坦戈夫“剧场性”戏剧美学的来源,深入探讨、分析其“剧场性”“节庆性”的具体内涵,为准确认识、评价并运用瓦赫坦戈夫幻想现实主义导表演创作方法奠定基础。

This paper is centered on Vakhtangov’s idea of“bringing theatricality back to the theatre”and“without festivity,there will be no performance”.It traces the development of Vakhtangov’s aesthetic view of“theatricality”and explores the ideas of“theatricality”and“festivity”,laying a foundation for further understanding,analyzing and applying of Vakhtangov’s directing and performing theories of fantastic realism.