接受美学视阈下的宋代七里镇窑乳钉罐探析

An Exploration of the Nipple Jars of Qili Town Kiln in Song Dynasty under the Reception Aesthetics

宋代赣南七里镇窑乳钉罐系北宋中期开始生产的重要生活用器,因带有浓郁和鲜明的地方特色,令其迅速成为七里镇窑代表性的瓷器新品类。本文基于接受美学的视角,将乳钉罐置于市场接受这一框架内,分别从制瓷者、瓷器与接受三个方面展开讨论,集中阐释“瓷工——乳钉罐——受众”三者之间的关联,进而探赜陶瓷产品在这一动态交往过程中如何完成双向循环的互动与反馈。

The nipple jars of Qilizhen kiln in Gannan were important household wares produced from the mid of the Northern Song Dynasty,which quickly became a representative new porcelain category of Qilizhen kiln because of their strong and distinctive local characteristics. Based on the perspective of reception aesthetics, this paper places the nipple jar in the framework of market acceptance, discusses the three aspects of porcelain maker, porcelain and acceptance, and focuses on the connection between "porcelain maker-nipple jar-audience". The discussion focuses on the connection among the three, and then explores how the ceramic product completes a two-way cycle of interaction and feedback in this dynamic interaction process.