摘要
粉彩仕女瓷画中的女性形象历经清代、民国、新中国成立初期和新时期的演变历程,并受到服饰文化的显著影响。本文基于服饰文化,分析清代至新时期各个历史阶段粉彩仕女瓷画女性形象。清代民国时期的传统粉彩仕女瓷画中的女性形象,受到服饰文化的影响而显现出保守、柔美的特征。在当代女性服饰的影响下,粉彩仕女瓷画中的女性形象在新中国成立初期呈现出现实主义风格特征,而在新时期则注重多样化的女性美表现。
The portrayal of women in pastel porcelain paintings has evolved through the Qing Dynasty, the Republic of China, the early period of the founding and the new period of New China, and has been signifcantly influenced by the culture of costume. This paper analyzes the images associated with each historical stage from the Qing Dynasty to the New Period based on costume culture. Among them, the images of women in the Qing Dynasty and the Republic of China show the characteristics of conservatism and softness. The image of women showed realistic style characteristics in the early period of the founding of New China, while in its new period, it focused on diverse expressions of female beauty.
作者
吴满华
Wu Manhua(Jingdezhen Ceramic Art Institute)
出处
《景德镇陶瓷》
2022年第5期110-113,共4页
Jingdezhen Ceramics
关键词
粉彩仕女瓷画
服饰
女性形象
影响
Pastel Porcelain Painting of Ladies
Costume
Female Image
Influence