英模·电影·困境:《杨善洲》批评嬗变兼论“育”的主题

Model-Cinema-Predicament:The Critical Transmutation of Yang Shanzhou and the Theme of“Education”

英模电影《杨善洲》作为建党九十周年的献礼片,它虽然取得了票房上和口碑上的胜利,但是与之对应的电影批评却陷入某种困境。回顾《杨善洲》十年来的电影批评,趋势囿于探析人物精神,而英模题材的电影艺术几近被遮蔽。基于十年批评嬗变,反思英模题材电影艺术,谫析《杨善洲》“育水”“育民”和“育党性”的三重主题,重新探讨影片对“杨善洲精神”的艺术表达,以探索英模题材电影的新出路。

As a tribute to the 90th anniversary of the founding of the Party,the exemplary film Yang Shanzhou has won a victory at the box office and in terms of word-of-mouth,but the corresponding film criticism has fallen into a dilemma.Reviewing the film criticism of“Yang Shanzhou”in the past ten years,the film art of the heroic theme is nearly obscured by the exploration of the spirit of the character.Based on the art of filming exemplary films,we reflect on the transmutation of criticism,shallowly analyze the triple themes of“Yang Shanzhou”,“nurturing water”,“nurturing people”and“nurturing party spirit”,and re-examine the film’s contribution to the“spirit of Yang Shanzhou”.The film’s artistic expression of“Yang Shanzhou’s spirit”is explored in order to explore a new way out for heroic films.