时代语境下的民族化表达与个性化塑造--论甘·希儒嘉措《元上都探古》中的审美意象

On National Expression and Personalized Shaping in the Context of the Times--The Aesthetic Imageries in Gan·Xirabjamsu’s Prose Shangdu Kai ping Palace

蒙古族特殊的生存环境、生产方式和民族文化使其文学作品有明显的民族特征,因此,现代社会和时代背景下,蒙古族作家使用母语创作的文学作品,其审美意象也有了不同的形态和意蕴。甘·希儒嘉措的散文集《元上都探古》是蒙古族当代文学史上的一部经典之作,其“山”和“大地”意象,从山的形象之美到山的意蕴之境,有着从“静态”到“动态”的转变过程。当“山”意象呈现行动意志时,静态的物象具有了动态的倾向,“山”变成了作者所崇尚的跃动飞腾和奋斗精神的象征。在“大地”意象中,展现了作者的“天人合一”的观念,即人与自然融为一体的主观色彩;此外,“大地”意象还体现了人类最终要回归大自然的人类共同体意识。

The specific living environment,ethnic production mode and cultural peculiarity of Mongolia demonstrated obviously ethnic characteristics in Mongolian literature.Therefore,the aesthetic imageries in literary works which created by Mongolian native language had different forms and meanings in the context of modern society.The imagery of“mountains”and“the earth”in Gan·Xirabjamsu’s collection of essays Shangdu Kai ping Pal⁃ace which was a classic masterpiece in Mongolian literature history in contemporary era were revealed,there was a transformation process from static state to dynamic state,indicated the beauty of imagery and the connotation of the mountain.When the imagery of“mountains”showed the volition of action,the static imagery of“mountains”has the characteristic of dynamic orientation.The“mountains”became the symbol of the enlivening,soaring,and striving spirit adoring by the author.In the imagery of“the earth”,it showed the concept of“unity of human beings and nature”.In addition,the imagery of“the earth”also contained the consciousness of human community that people will eventually return to nature and go back to origin.