摘要
对于中国民族民间舞蹈而言,艺术院校、文艺院团呈现的“舞蹈”与田野中的“那一个”,同名并不同质,某种程度上也不是一回事,田野中用乐舞、戏舞、歌舞、舞仪、综艺定义或许更为准确。如何摆脱西方“舞蹈”概念、术语的理论束缚,客观、理性、中立、宏观地探索与认知田野中的“那一个”,跳脱削足适履、作茧自缚学术研究与舞蹈实践的窠臼,是本文论述研讨的重点。
For Chinese folk dance,the“dance”presented by art colleges and art troupes is different from“that one”in the field.To some extent,it is not the same thing.It may be more accurate to define dance as music dance,opera dance,dance ceremony or entertainment etc.How to get rid of the theoretical constraints of the western dance concept,explore and recognize the“that one”in the field objectively,rationally,neutrally and macroscopically,and get rid of the stereotype of academic research and dance practice are the key points of this paper.
作者
王昕
Wang Xin(Department of Dance Study,Beijing Dance Academy)
出处
《中国舞蹈学》
2022年第1期15-31,338,339,共19页
CHOREOLOGY IN CHINA
关键词
中国民族民间舞
田野
舞蹈
Chinese folk and ethnic dance
field research
dance