主旋律舞剧创作下的“佟睿睿表达”

“Tong Ruirui’s Expression”Under the Creation of the Theme Dance Drama

自2001年古典舞女子独舞作品《扇舞丹青》在第五届全国舞蹈比赛、第二届CCTV电视舞蹈大赛获得金奖后,舞蹈编导佟睿睿的名字逐渐走入大众的视野。20年后,至2021年推出舞剧作品《到那时》《大河之源》,佟睿睿已成为中国舞剧编导的优秀人才之一,其独具中国特色的作品饱受好评。本文以佟睿睿为研究对象,基于对其本人的3次“半结构式”采访,利用图书馆档案管理学的资料归纳法,制作其个人档案,再以佟睿睿的舞剧创作路径与创作观念为研究内容,主要聚焦佟睿睿创作舞剧的初心、舞剧角色形象的塑造及舞剧的形式表达三个方面,试分析佟睿睿在当前“主旋律舞剧”时代诉求下的创作方式。笔者认为,持续关注这样一位年轻有为、仍处在快速成长阶段的舞蹈编导,对现当代舞剧的创作无疑有着灯塔似的指示作用。

Since the female classical dance solo Shan Wu Dan Qing won the gold medal in both the fifth National Dance Competition and the second CCTV Dance Competition in 2001,Tong Ruirui,the name of a dance choreographer,had gradually come into the public’s view.Twenty years later,her two new dance dramas Dao Na Shi(By That Time)and Da He Zhi Yuan(The Source of the River)had been first performed in 2021.Since then,Tong Ruirui has become one of the best dance choreographers in China,and her works with distinctive Chinese characteristics are more and more popular.Based on three“semi-structured”interviews of Tong Ruirui,the personal profile of Tong Ruirui was made by inductive reasoning.The paper demonstrates the paths and ideas of her works and it mainly focus on Tong Ruirui’s first mind of dance dramas,creation of dance dramas’characters and the form of dance dramas’expression.This paper tries to analyze Tong Ruirui’s dance creation under the contemporary appeal of Theme Dance Drama.The author believes that continuous attention to such a promising young choreographer who is still in the stage of rapid growth is undoubtedly a beacon for the creation of modern and contemporary dance dramas.