重返20世纪80年代:重谈《黄河三部曲》诞生背景与成因

Returning to the 1980s:Revisiting the Birth Background and Causes of the Yellow River Trilogy

20世纪80年代所兴起的“寻根热潮”是艺术史及思想史中值得反复研讨的现象,在这个多元艺术共同繁荣的特殊年代,其衍生出的美学价值、话语建构、意义系统都值得当代艺术界反复考究。本文主要从热潮的宏大背景中聚焦黄河流域山西地区出现的“黄河歌舞艺术”——《黄河三部曲》,重新将其放置于横向对比与纵向研究中,探讨其诞生的时代背景与成因,从而为当代山西民间舞的发展提供一定的学术指引与思考路径。

The“root seeking upsurge”rising in the 1980s is a phenomenon worthy of repeated discussion in the history of art and thought.In this special era of common prosperity of multiple arts,its aesthetic value,discourse construction and meaning system are worthy of repeated research and reflection in the contemporary art circle,with the establishment of modern“national form”as the core.From the grand background of the upsurge,this paper focuses on the“Yellow River song and dance art”—the Yellow River trilogy in Shanxi area of the Yellow River Basin,replaces it in the horizontal comparison and vertical research,discusses the era background of its birth and the analysis of the causes of creating classics,so as to provide some academic guidance and thinking path for the development of contemporary Shanxi folk dance.