从“沙目”圈舞音乐文化看洮岷地区民族文化的交融

Integration of Ethnic Cultures in the Taomin Area from the Perspective of“Shamu”Circle Dance Music

洮岷地区自古以来为多民族繁衍、聚居之地,多民族交往互动及由此产生的文化交流造就了洮岷地区多民族杂居、多元文化共存、多种宗教信仰共生的区域文化特征,成为多民族杂居的典型区域,亦是中华文化多元一体格局的缩影。通过对洮岷地区藏汉民族“沙目”圈舞的结构要素、旋律音调和舞步进行对比分析,探讨其产生区别和联系的原因,并分析洮岷地区多民族文化交往交流交融的主客观因素以及这些因素的历史与实践意义,寻找促进民族文化交融的真正原因和规律,最终揭示洮岷地区多民族文化交流交往交融的实质。

Since ancient times,the Taomin area has been a site where various ethnic groups thrive and live together.The regional cultural characteristics of the region have been created as a result of multi-ethnic interaction and the cultural exchanges resulting from these interactions.These regional cultural characteristics include multi-ethnic living,multi-cultural coexistence,and the co-existence of multiple religious beliefs.Because of this,it is a prime example of multi-ethnic coexistence and multicultural diversity.It is also representation of the integration of various Chinese culture.Through a comparative analysis of the structural elements,melodic tones and dancing steps of the Tibetan-Chinese“Shamu”circle dance in Taomin region,the paper explores the reasons for their differences and connections,and analyzes the objective and subjective factors of multi-ethnic cultural communication,exchange and integration in Taomin region,as well as the historical and practical significance of these factors.Based on the analysis,the true causes and laws that promote the integration of ethnic cultures are sought.Finally,they are used to reveal the essence of multi-ethnic cultural communication,exchange and integration in the Taomin region.