“读取—模拟”视角下的戏剧与电影之辨

On Drama and Film with the Perspective of “Read-Simulation”

近年来,电影界出现了一股“戏剧性的回潮”,激活了对戏剧与电影关系的再讨论。相对于德勒兹所代表的“时间—影像”的纯粹电影观而言,巴赞和卡维尔则代表了更看重“戏剧性”的电影理论视角。在后一种视角中,戏剧与电影以“读取—模拟”的信息系统模式发生关系,发掘了戏剧语言内在的“空间功能”,并以“剧中剧”这样的装置发挥着重要的作用。以麦克多纳为代表的有戏剧背景的导演以直观的方式在电影中呈现了这一“戏剧性回潮”。

In recent years, dramatic resurgence in films is very notable which activates the re-discussion of the relationship between drama and film. Relative to the “time-image” of Deleuze which represents the “pure film” in terms of concept, Bazin and Cavell represent a more dramatic perspective of film theory. In the latter perspective, drama and film relate to each other in the mode of “read-simulation” information system. Meanwhile, it plays an important role with such devices as “the play within a play”. Directors with theater background, like Martin Mc Donagh, present this “dramatic resurgence” in film in an intuitive way.