“脚色体制”与戏曲电影艺术理论建构

Constructing the Theory of Chinese Traditional Drama Film Art with the “Role-Play System”

脚色体制是戏曲的根本性艺术体制,决定戏曲艺术形态。戏曲电影是戏曲脚色体制与电影镜头本位间的艺术体制转化。戏曲表演的脚色化被电影镜头本位解构整一性、增强写实性、改变节奏性。戏曲的赋形空间在电影多手段的视觉空间表现中,丰富方向性、取消主观性。在脚色体制视域下,戏曲与电影存在追求舞台趣味性与强调叙事性的观念差异。两种体制的转换,经历了从“体制解构”到“形成符号性”再到“增进电影戏曲性”三个阶段。

The role-play system is the fundamental art system of Chinese traditional drama. The Chinese traditional drama film has realized the transformation of the artistic system between the role-play system of Chinese traditional drama and the film lens standard. The role-play of Chinese traditional drama performance is deconstructed by the film lens standard. The endowed-shape space of Chinese traditional drama changes in the visual space performance of film by multiple means. There is a conceptual difference between Chinese traditional drama and film in pursuing stage interest and emphasizing narration. The transformation of the two systems has gone through three stages, from “deconstruction of the role-play system” to “symbolization of the role-play system” and then to “enhancement the Chinese traditional dramatization of film”.