摘要
良渚文化玉琮独特的造型蕴含了萨满式的宇宙知识,它是一种仪式中的“通道”,承载着一段通往不同界域的转变之旅。玉琮上面雕刻的兽面等主体纹饰是良渚人在玉器上反复刻画的人、兽、鸟的结合与转化,这种转变状态恰如蝉之蜕变,被以弦纹的形式标识出来。
The unique shape of the jade cong from the Liangzhu Culture connotes a Shamanic view of the cosmos that the tube of the cong is a"passage"carrying a transformation journey leading to other worlds.The main motifs carved on the surface of the cong such as animal faces were formed from the combination and transformation of humans,animals,and birds that had been repeatedly portrayed by the Liangzhu people.This transformation state is just like the metamorphosis of cicadas,which is marked in the form of string patterns on the jade Cong.
作者
李默然
LI Mo-ran(Institute of Archaeology,Chinese Academy of Social Science,Beijing,100101)
出处
《东南文化》
CSSCI
北大核心
2022年第5期93-96,97-101,共9页
Southeast Culture
基金
国家重点研发计划“中华文明探源研究项目”课题八“中华文明起源进程的整体性研究”(课题编号2020YFC1521608)成果
中国历史研究院李新伟学者工作室研究项目。
关键词
良渚文化
玉琮
宇宙知识
转变
蝉
Liangzhu Culture
jade cong
cosmology
transformation
cicada