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命运,作为梦想的导语 评叶芝诗剧《伊美尔唯一的嫉妒》

Destiny as a Foreword to the Dream:On The Only Jealousy of Emer,a Poetic Drama by William Butler Yeats
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摘要 一失语的神话提及叶芝,就不能不提及“爱尔兰性”——作为20世纪爱尔兰文艺复兴运动的领导人,叶芝的风格在柔美浪漫的象征主义色彩之外,兼具神秘与梦幻,创作了许多与爱尔兰神话传说相关的作品;而对爱尔兰社会的关注,又使得他逐渐趋向对现实的反思,用贵族的理想观点去观照爱尔兰民族主义革命与爱尔兰人民。叶芝终其一生著述颇丰,《当你老了》、《驶向拜占庭》等诗作更是为中国读者所耳熟能详;然而,想要更全面地解读叶芝,仅从诗歌层面是远远不够的。
作者 李宜萱 LI Yixuan
机构地区 不详
出处 《上海文化》 CSSCI 2022年第11期117-127,共11页 Shanghai Culture
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  • 1蔡玉辉,李培培.《荒原》中的诗化“我”及其诗学蕴涵[J].外国文学,2005(5):96-101. 被引量:12
  • 2Seamus Dearie ed. , The Field Day Anthology oflrish Writing, Faber and Faber, 1991.
  • 3John P. Harrington ed. , Modem Irish Drama, New York & London: Norton, 1991.
  • 4David R. and Rosalind E. Clark eds. , The Collected Works of W. B. Yeats ( Vol. H: The Plays), New York : Palgrave, 2001.
  • 5James Pethiea, "' Our Kathleen' : Yeats's Collaboration with Lady Gregory in the Writing of ' Kathleen ni Houlihan' ", in Warwick Gould, ed. , Yeats Annual (6), Basingstoke: Macmillan, 1988, pp. 3 -31.
  • 6Mary Lou Kohfeldt, Lady Gregory: The Woman Behind the Irish Renaissance, London: Deutsch, 1985, pp. 142 -146.
  • 7Henry Merritt, "'Dead Many Times' : 'Cathleen ni Houlihan, ' Yeats, Two Old Women, and a Vampire", in The Modern Language Review, 3 (2001). pp. 644 --653.
  • 8W.B. Yeats, "Cathleen Ni Houlihan", in John P. Harrington, ed. , Modern Irish Drama, New York & London: Norton, 1991, p. 7.
  • 9Moirin Nl Chuilleannain, Granne Mhaol, Sile Ni Ghadhra, Caitilin Triall, Grace O'Malley, Mridhbhin Ni Shtlilleabhrin, Cliona na carriage.
  • 10Mrirfn Nic Eoin, "Secrets and Disguises? Caitlln Ni Uallachrin and Other Female Personages in Eighteenth-Century Irish Political Poetry", in Eighteenth-Century Ireland/Iris an da chuhgr, 11 ( 1996), pp. 7 -45.

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