曹植的“天路”哲思与心理构成——关联他在文学创作中的哲学意识

Cao Zhi’s“Heavenly Road”Complex and Imagery Acquisition Principle:Also on Philosophical Ideology in His Literary Works

曹植熟读经典,受到先秦文化浸润,有自身的哲学观,但这常被后人忽略。彼时“原始意象”形式留存的“通天”符号,由他经过自己的“取象思维”提取和融入文学创作。横跨前后期,曹植都有一种“天路”情结,属于他的通天意识,心念“皇天”,关联政治理想,终其一生不磨灭。由于他的事业被压抑,其“天路”被断绝,他的风格透显悲情。看似虚幻色彩的一系列“游仙”作品,还有他的政见奏表,均有围绕“天路”的意象,为此类意识形态原理下的产物。这份“天路情结”在曹植一生中都强烈,是他自身的特色,也是他没有信奉神仙宗教的证据,当引起注意。

Cao Zhi has been long ignored with his philosophical thoughts.In fact,he had a good mastery of Confucian Classics with his own philosophical system.“Communicating with Heaven”was the core concept in“the Heaven-Man Culture”in ancient China,which remained a“primitive image”for later generations,which became rich enlightenment for Cao Zhi,as a result of which his complex of“Heavenly Road”can be identified in his whole life,as is actually his consciousness of connecting to the Heaven:his political ambition was shaped into yearning for“the Imperial Heaven”,remaining a constant pursuit throughout his life.Career suppressed and ambition stultified,failure of“connecting to the Heaven”turned his literary style into pathetic desperation.The imagery of the“Heavenly Road”was frequently employed in his poems and political essays,as a result of his ideological orientation.Cao Zhi intensive complex of the“Heavenly Road”distinguishes him from other writers of his time,and serves as evidence of his worship of Heaven instead of exact gods or religious totems,which is an issue worthy of further study.