分岔的枝桠与诗意的轿子--谈张执浩诗歌的“第二次重复”

Forked Branches and Poetic Sedan Chairs——On the“Second Repetition”of Zhang Zhihao’s Poetry

诗集《宽阔》的出版意味着诗人张执浩开始了自己的中年“变法”。驻身于日常书写的张执浩,近几年的写作在形式上愈发呈现出“第二次重复”这一特征。这种重复与他在《宽阔》跋中为自己确立的诗歌观有关,即对“目击成诗,脱口而出”这一写作状态的追求使其不得不用重复修辞为自己的文本增添诗意。重复犹如枝桠的分岔,成了他笼络诗意、制造“惊动”的法宝。而这种相对模式化的自我设障(或曰惯性书写)究竟能产生些什么,还需要张执浩继续为我们解答。

The publication of the poetry collection Broad means that the poet Zhang Zhihao started his middle-aged“reform”.Zhang Zhihao,who lives in daily writing,has shown the characteristic of“second repetition”in the form of writing in recent years.This repetition is related to the poetic view he established for himself in the postscript to“Broad”,that is,the pursuit of the writing state of“witnessing into poetry and blurting out”makes him have to use repetition to add taste to his texts.Repetition,like the bifurcation of branches,has become his magic weapon to win over poetry and create“alarm”.And what exactly can this relatively stereotyped self-blocking(or inertial writing)produce,it needs Zhang Zhihao to interpret.