形貌品藻审美风尚对王粲心态与创作的影响

Influence of Appreciating Appearance and Aesthetic Fashion on Wang Can’s Mentality and Creation

以汉末魏晋形貌品藻审美风尚为切入点进行分析可知,该风尚易令“貌寝”“体短”的王粲心态失衡,而因形貌不佳失落的自尊是他受到压抑的无意识欲望。王粲在形貌上产生的自卑痛苦之情,使其在文学创作中展现痛苦,在形貌上损失的自尊也通过文学创作得以弥补。审美情趣作为一种感性直觉的“潜意识”或“集体无意识”,作为文化的深层结构部分之一,它具有稳定性,故而跨越朝代,王粲的经历会让后世文人产生“同情性”接受。

Taking the aesthetic fashion of Wei and Jin Dynasties in the late Han Dynasty as the entry point,this fashion is easy to make imbalance in mood for Wang Can,who is “ugly” and “short”,and his self-esteem lost due to his poor appearance is his depressed unconscious desire.The inferiority and pain of Wang Can in appearance can show its pain in literary creation.Wang Can’s self-esteem lost in appearance also needs to be made up in literary creation.Aesthetic interest,as a kind of perceptual “subconscious” or “collective unconscious” and one of the deep structural parts of culture,has stability.Therefore,Wang Can’s experience will make later literati produce “sympathetic” acceptance across dynasties.