摘要
无论在生活还是舞台中,群舞表演的形式并不少见。尤其是生长于田间地头的民间舞蹈,多以“综合动员生命”的方式呈现。伴随着舞蹈艺术的发展,群舞角色开始实践于舞台叙事的表达。该文以舞台上民间舞蹈群舞叙事作品为研究对象,将群舞角色通过“拟人”“拟物”等叙事方式进行总结,认为舞台上民间舞蹈群舞角色,已经超越了田野中群舞烘托气氛的功能,在舞台叙事中,呈现出多元化的表现特点。
The form of group dance performance is not uncommon in both life and stage.In particular,folk dances growing in the fields are mostly presented in the way of"comprehensive mobilization of life".With the development of dance art,group dance characters began to practice on stage narrative expression.Taking the narrative works of stage folk dance group dance as the research object,this paper summarizes the group dance roles through narrative methods such as"personification"and"object imitation",and holds that the group dance roles of stage folk dance have gone beyond the function of group dance in the field to set off the atmosphere,and show diversified performance characteristics in stage narrative.
作者
关樱丽
GUAN Yingli(Dance College,Northwest Normal University,Lanzhou Gansu,730000,China)
出处
《文化创新比较研究》
2022年第31期1-4,共4页
Comparative Study of Cultural Innovation
基金
甘肃省教育科学“十三五”规划2020年度一般课题“新时期甘肃‘非遗’传统舞蹈课程的开发与构建”(项目编号:GS〔2020〕GHB4663)阶段性成果。
关键词
叙事性民间舞
群舞角色
符号化
身份功能
Narrative folk dance
Group dance roles
Symbolization
Identity function