浅析动态漫画《湛江傩舞》中的动画设计思维

Analysis on the Animation Design Thinking in the Dynamic Cartoon“Zhanjiang Nuo Dance”

湛江傩舞主题的漫画创作是非遗文化为作品的亮点部分。对于动态漫画来说,它是将漫画和动画相互结合而形成的一种综合性艺术形式,在其创作过程中需要以众多动画元素为基础。本文探讨湛江傩舞的表演中仪式语境下的身体变化,秉持动画设计思维去创作尤为重要。探讨以何种视角去切入,以何种审美表意的手法去展现“超越凡人的形象”的作品,让其在编创时更具可挖掘性。同时,结合动画时空、动画角色表演假定性等特点,探讨傩面具与身体、表演的关系,启发作品中的动画设计方向,使数字输出作品更符合当下审美。

The cartoon creation of the theme of Nuo dance in Zhanjiang is the highlight of the non-posituesque part.For dynamic comics,it is a comprehensive art form formed by the combination of comics and animation art,and its creation process needs to be based on numerous animation elements.This paper discusses the creative techniques of dynamic comics,especially design thinking.This paper discusses the changes of the body in the ritual context of the performance of Zhanjiang Nuo Dance,connects it with the animation design techniques,and makes it exploable during the creation.It also discusses what perspective to enter into and what aesthetic expressive means to show the works that“transcend the image of mortals”.At the same time,combined with the characteristics of animation time and space and the assumption of role performance,the relationship between the mask and the body and the performance is discussed,so as to inspire the animation design direction in the works and make the digital output works more in line with the current aesthetic.