摘要
当代社会,美学不断地交叉渗透到政治学、经济学、社会学、人类学和语言学等学科领域,呈现美学的社会学转向和实践转向的发展趋势。其目的在于通过审美或艺术手段来改变人的审美感觉方式,重新形塑社会情感结构,这在当代马克思主义理论中被表述为审美治理。与此同时,当代马克思主义批评话语也发生了重要转向,从传统美学研究中所强调的文本批评向度转向了当代文化语境中通过艺术和美学话语介入社会文化变革的过程与方式。而悲剧中有关怜悯和恐惧的情感机制,因其情感的治理性再一次成为当代马克思主义批评话语体系中关注的重要论题。
in the world today,aesthetics has made its way into many fields of learning,such as politics,economics,sociology,anthropology and linguistics,so much so that it is taking as sociological turn to reach more practical domains.Its purpose is to change the way people perceive beauty by aesthetic or artistic means,and to re-shape society's emotional structure.This in contemporary Marxist art theory is defined as aesthetic governance.Meanwhile,Marxist critical discourse is also taking a turn to move from the traditional text-based critical approach to involving artistic and aesthetic discourse more in social and cultural changes in the contemporary cultural context.Pity and fear,which shapes the emotional response mechanism of tragedy,has once again become an important issue in contemporary Marxist critical discourse system because of its function in emotional governance.
出处
《思想战线》
CSSCI
北大核心
2022年第6期143-150,共8页
Thinking
基金
国家社会科学基金项目“治理美学视域下当代马克思主义批评话语转向研究”阶段性成果(20BZW038)。
关键词
治理美学
当代批评话语
治理转向
悲剧的情感治理性
Governance aesthetics
Contemporary critical discourse
Governance turns
Chinese Cultural Governance