摘要
声音是黄信尧电影的重要政治标识,其所呈现出的分层化特征是当下台湾社会分层现实的反映。电影表现出复杂的权力声音运作与僭越行为。具有政治权力、经济财富与社会地位的强势阶层,通常运用媒介与话术等来实现自我声音的扩大与传播,而被压制的弱势阶层也会发出微弱的僭越声音。导演还通过旁白、音乐与对白等声音调度,付诸声音权利的象征性实践与想象。而作为一种“有意味的形式”,导演通过声音调度来对受众进行规训的同时,也面临着后者的辨别与选择性接受。
Sound is an important symbol of Huang Xinyao’s films,which is political.Its stratified characteristics are a reflection of the current stratified reality of Taiwan society.The film shows the complex operation of power voice and arrogated behavior.The powerful class with political power,economic wealth,social status and other advantages,use language,media and so on to realize the expansion and dissemination of their own voice.But the repressed disadvantaged will also give out a weak voice of transgression.Through narration and music,the director also puts the symbolic practice and imagination of sound rights into practice.As a meaningful form,sound dispatching is confronted with the discrimination and choice of the latter while disciplining the audience.
出处
《海峡人文学刊》
2022年第4期96-104,156,共10页
Journal of Humanities Across the Straits
基金
2022年度国家社会科学基金西部项目“国际传播视域下新世纪少数民族题材电影的中华民族共同体认同建构研究”(22XXW001)
2021年度湖南省教育厅科学研究优秀青年项目“新时代扶贫影视剧的家园叙事研究”(21B0512)。
