文学研究会的批评取向和心态转移——以其对陀思妥耶夫斯基的研究为中心

On the Criticism Orientation and Mentality Shift of the Literature Research Association——Centered on Its Studies on Dostoevsky

20世纪20年代是新文化运动开展后文坛风云变幻的时代,在此期间不论是文学翻译还是白话文创作,都打上了鲜明的革新烙印。文学研究会作为最早成立的纯文学社团,把自身的社会理想投射到文学活动中,显示出知识分子的岗位意识。现有研究对文学研究会的评价多立足于其“现实主义”属性,而对其成员前后期文学观念转变的观照则相对薄弱。文章以文学研究会对陀思妥耶夫斯基的纪念活动及研究为切入点,纵向地呈现他们在不同时期对陀氏评价的标准、立场以及态度,进而梳理文学研究会各个时期的批评取向和心态转移,考察他们文学观念转变的原因和目的,并发掘他们参与文学革命的精神指向和作为本土知识分子的姿态立场。

The 1920s was an era of great changes in the literary world after the launch of the New Culture Movement,during which both literary translation and vernacular writing were marked by distinctive innovation. As the earliest pure literature association,the literature research association also projected its own social ideal into literary activities,thus showing the post consciousness of intellectuals. The current evaluation of the literature research society is mostly based on its attributes of“realism”,but the observation of its members’ literary view change in the early and later phases respectively is rather weak. This paper attempts to take the commemoration of Dostoevsky by the literature research association as the starting point,and vertically present its members’ standards,positions and attitudes towards Dostoevsky’s evaluation in different periods,as well as sort out the literary interests and value preferences of the literature research association in different periods and investigate the reasons and purposes of its members’ change in literary ideas,so as to discover their inner spirit of participation in the literary revolution and their stance as local intellectuals.