桃花坞木版年画在现代服饰中的设计应用——以《花开富贵》木版年画为例

The Design and Application of Taohuawu Woodcut New Year Pictures in Modern Costumes

中国木版年画起源于宋朝,产生于雕版印刷工艺,最初是作为佛教经书中插图的形式出现,后来便配合中国传统节日春节进行年画的制作,用来增加过年的热闹气氛。而作为中国特有的传统四大木版年画之一的桃花坞木版年画,因曾集中于苏州城内桃花坞一带而得名,最早是由绣像图演变而来,经过江南文人的书画技术不断精益求精,使得桃花坞木版年画越发琳琅满目、惟妙惟肖,即使久经时间的洗礼,也始终屹立在漫长的历史长河中。从艺术的角度来看,无论是桃花坞木版年画丰富的色彩计划、精致的工艺技巧还是固有的文化内涵,都为现代服饰设计提供着丰富多样的中国式素材,为现代服饰中的传统元素保驾护航,使中国传统文化乘着现代服饰这艘大船驶向世界的海洋。

Chinese New Year wood-block prints originated in the Song Dynasty,produced in the engraving printing process,originally as the form of illustrations in Buddhist scriptures,and later with the traditional Chinese festival——Spring Festival,New Year pictures production,used to increase the lively atmosphere of the New Year.As one of the four unique traditional Chinese New Year wood-block prints in China,the Taohuawu New Year wood-block prints got its name for the Taohuawu generation in Suzhou city.They first evolved from embroidery images.Through the continuous improvement of the painting and calligraphy technology of jiangnan literati,the Taohuawu wood-block New Year prints are more and more vivid and vivid.Even after the baptism of time,but also always standing in the long history.From the artistic point of view,Taohuawu New Year wood-block prints provide rich and diverse Chinese materials for the process of modern costume design in many aspects,whether from their rich color plan,exquisite craftsmanship skills or their inherent cultural connotation.To the traditional elements in modern clothing,so that Chinese traditional culture can ride the ship of modern clothing to the ocean of the world.