“联章体词”概念辨析

Analysis on the Concept of"Joint-Chapter Style Ci-Poetry"

诞生于诗学语境中的“联章”,经由清代曹溶、陈钟祥、陈廷焯等人的运用、标举正式进入词学领域。在近代词学研究中,任中敏、夏承焘、吴宏一等词学家对这一概念做了不同界说,并在词调、子类、章法等方面有着不同认知。这些歧见不仅揭示出“联章体词”在不同阶段的不同面目,也显示了近代词学研究中“声学”与“艳科”的偏重与交融。

Born in the context of poetics,"Lianzhang(a joint-chapter style)"formally entered the field of Ci-poetry through the use and touting of Cao Rong,Chen Zhongxiang,Chen Tingzhuo and others in the Qing Dynasty.In modern Ci-poetry studies,Ren Zhongmin,Xia Chengtao,Wu Hongyi and other Ci-poetry researchers have defined this concept differently,and have various perceptions in terms of Ci tune,subcategory and chapter style.These disagreements not only reveal the different faces of the"joint-chapter style Ci-poetry"at different stages,but also show the preference and intermingling of"phonology"and"amorous discipline"in modern Ci-poetry studies.