网络文学现实主义的理论问题、当代经验与大众惊奇美学

Theoretical Problems, Contemporary Experience and Public Surprise Aesthetics of Network Literature Realism

作为一种当代文化现象和媒介社会化产物,网络文学构建了虚拟空间的“新现实”,这一现实以写者、受众、平台共在一个虚拟空间为前提。其生产本身是一个鲜明的当代经验的呈现过程。基于互联网空间的写者与受众的共谋、不同类型文本的叠加、文学话语权的下沉,经过不同层面的公共评价过程,形成重大的公共问题。围绕文本的各方处在共同搭建的“现实”世界,体现出丰富的当代文化内涵、当代人情感结构和大众惊奇美学。对网络文学呈现出的“现实”,不能简单以现实主义法则论之,要以阐明对象的特性为前提。

As a contemporary cultural phenomenon and product of media socialization, network literature builds the “new reality” of virtual space, which is based on the premise that the writer, the audience and the platform are sharing a virtual space.Its production itself is a distinct presentation process of the contemporary experience.Based on the complicity between writers and audiences in the Internet space, the superposition of different types of texts, and the sinking of literary discourse power, through different levels of public evaluation, major public issues occur. All parties around the text are in the “real” world built together, which embodies rich contemporary cultural connotation, contemporary people’s emotional structure and public surprise aesthetics.The “reality” presented in network literature should not be discussed simply by the law of realism, but by clarifying the characteristics of the object.