《髹饰录》原典、解说与图说——读长北修订版《〈髹饰录〉图说》

The Original Book, Interpretation and Illustration of “Xiushilu”——Read Changbei’s revised version of “’Xiushilu’ Illustrations”

明代黄成的《髹饰录》是中国工艺美术领域最为重要的漆工专著。20世纪七八十年代,北京故宫博物院的王世襄、台北故宫博物院的索予明均对其做了解说,以利于该书的传承与使用。本世纪初,长北立足工艺与校勘,撰写了《〈髹饰录〉图说》(2007版)。时过十余年,又出修订版《〈髹饰录〉图说》(2021版)。2021版与2007版的最大不同在于:将蒹葭堂抄本、德川抄本两种抄本放在同一平台进行校勘研究,增加了对朱氏刻本和已出版四种解说本的校勘。如果说2007版多采新图,经过退休多年的读书、调查、思考、研究,2021版则以古图古书古物与工坊流程等为证,逐条注释解说《髹饰录》。应该说,著者以惨淡的慢功夫,使2021版《〈髹饰录〉图说》比2007版《〈髹饰录〉图说》大大增强了丰富性、严谨性,提升了学术层次。

In the Ming Dynasty, Huang Cheng’s book of“Xiushilu”is the most important lacquerer monograph in the field of Chinese arts and crafts. From the 1950s to the 1970s, WANG Shixiang of the Palace Museum in Beijing and SUO Yuming of the Palace Museum in Taipei both made interpretations of the book, in order to facilitate its inheritance and use. In recent years, ehangbei learned from and summarized the above works and wrote“Xiushilu”with record drawings, which means that scholars of lacquer art research still pay continuous attention to“Xiushilu”and Chinese lacquer art culture.