摘要
布洛赫的哲学文本具有碎片化的美学风格,斯坦纳称之为“毕达哥拉斯文体”。这种表述形态呈现为思想的直陈与叙事的断裂,不仅作为形式载体表述了思想,同时亦可视为思想本身。它产生于小说式微的叙事危机之中,与论说文共享浪漫派的精神资源,具有碎片化、隐喻性、开放式等特征。借助错格体,布洛赫的哲学—美学暗码得以揭示。同时,对此文体所承载的观念进行美学还原的尝试,可为碎片化时代中思想的表达提供创新性思路。
The philosophical text of Bloch is aesthetically fragmental,which is called by Steiner“the Pythagorean genre”.It presents in the form of the directly-expressed-thought and the interrupted-narrative,which not only conveys the ideas as a carrier,but also can be regarded as thought itself.Born in the narrative crisis of the decline of fiction,it shares the spiritual resources of romanticism with the essay,and is characterized by fragmentation,metaphor,openness and so on.Through anacoluthon,Bloch’s philosophical and aesthetic code could be revealed.At the same time,the attempt to aesthetically revivify the ideas contained in this style can provide innovative methods for communication in the era of fragmentation.
作者
张晓萌
ZHANG Xiaomeng(College of Liberal Arts,Hunan Normal University,Changsha,Hunan 410081)
出处
《中国文学研究》
CSSCI
北大核心
2022年第4期21-28,共8页
Research of Chinese Literature
基金
湖南省教育厅项目“恩斯特·布洛赫与法兰克福学派理论关联性研究”(19B371)
湖南师范大学语言与文化研究院青年培育项目“恩斯特·布洛赫与美学的当代性问题研究”(2020QNP08)。
