20世纪20年代新诗集“诗体序”的主旨、成因及影响

The Essences,Causes and Influences of“Poetry Style Preface”in New Poetry Collections of the 1920s

现有对新诗集序跋的研究多集中于主流形态的“散文体”序跋,事实上,20世纪20年代的新诗集“诗体序”颇具特色。就诗体“序”主旨而言,它们谈论的对象不只是诗集层面上对诗集主题的阐发以及诗人美学风格的定位,而且指涉宏观诗学层面上对诗学困境的思考,乃至深入哲学层面上对人类哲学命题的拷问。究其成因“,诗体序”的繁荣一方面源自序者的诗性人格和多元化的主体精神,另一方面还深受序者的思想启蒙意愿、经典化传播诉求等因素制约。“诗体序”拓宽了新诗集序言的文体表现力,丰富了序言的历史发展谱系,对推动新诗经典化具有一定意义。

The study of prefaces and postscripts of new poetry collections primarily focuses on the“Prose Style Prefaces”.In fact,the“Poetry Style Preface”in the 1920s is quite distinctive.As far as the content of poetry is concerned,the objects they talk about are not only the interpretation of the theme of poetry and the positioning of the poet’s aesthetic style at the poetry level,but also refer to the thinking of the poetic dilemma at the macro poetics level,and even focus on the torture of the proposition of human philosophy.On one hand,their prosperities stem from the preface’s poetic personality and diversified subject spirit.On the other hand,their prosperities are deeply influenced by the May Fourth Literature and the concept of ideological enlightenment,and the classical communication demands.“Poetry Style Preface”broadens the stylistic expression of the preface of the new poetry collection,enriches the pedigree of the historical development of the preface,injects modern poetry into the ancient style of the preface,and has certain significance for the classic construction of new poetry.