摘要
审美意境的生发建构在诸多艺术因素相互格义与会通的辩证美学之上,审美意境并非特定的艺术形象或典型特征本身,而是创作者带着情景交融、物我合一的情感感兴所创作出的艺术形象与它所引发的“超以象外”的艺术联想或幻想,从而触发观者去追踪或联想“象外之象”,并生发至更高层境的“象外之意”的艺术美学境界。
The emergence of aesthetic conception is built on the dialectical aesthetics in which many artistic factors interact.Aesthetic conception is not a specific artistic image or typical feature itself,but the emotional feeling of the creator’s blending of scenes and the unity of the object and the self.Artistic association or fantasy triggers the appreciator to pursue the meaning and connection of the artistic imagination of"the image outside the image and the meaning outside the image".
作者
李立红
李志鹏
LI Li-hong;LI Zhi-peng(Nanjing Art College,Nanjing,Jiangsu 210013;Party office and school office of Nanjing Art Institute,Nanjing,Jiangsu 210013)
出处
《艺术百家》
CSSCI
北大核心
2022年第4期1-6,共6页
Hundred Schools In Arts
基金
2021年江苏省博士后科研资助项目(项目编号:2021K170B)的阶段性成果之一。
关键词
审美意境
情境交融
超以象外
象外之象
格义与会通
Aesthetic Artistic Conception
Contextual Blending
Beyond the Image
the Image Outside the Image
the Sense and Harmony