媒介地理学视域下“南京大屠杀”题材电影的重构策略

Reconstruction Strategies of"Nanjing Massacre"Movies from the Perspective of Media Geography

八十五年前发生的“南京大屠杀”事件成为全国人民刻骨铭心的创伤记忆,各种媒介通过不同方式来祭奠这段沉痛的历史。文章借助媒介地理学的研究方法分析南京大屠杀题材电影的重构方式:包括地理空间、历史空间、精神空间在内的三个空间叙述维度;贯穿过去、现在、未来的三种时间叙述模式;以本土导演、国外导演的内外视角形成双重聚焦;人物、文化、商业三种景观的表现是历史真实与部分虚构相融合;处理好中国与日本、艺术性与商业性、虚构与真实之间的二元对立关系,从而更好地将本土影像推向全民族视野。

The"Nanjing Massacre"that happened 85 years ago has become an unforgettable traumatic memory for the people of the whole country.Various media use different methods to commemorate this painful history.With the help of the research method of media geography,this paper analyzes the reconstruction method of the Nanjing Massacre:three spatial narrative dimensions including geographic space,historical space,and spiritual space;three temporal narratives that run through the past,present,and future;Mode form a double focus from the internal and external perspectives of local directors and foreign directors;the performance of the three landscapes of characters,culture,and business is a fusion of historical reality and partial fiction;handle China and Japan,artistic and commercial,fiction and reality.The binary opposition relationship,so as to better push the local image to the scope of the national vision.