摘要
电影《妖猫传》展现的是唐代诗人白居易和入唐求法僧人空海跟随一只“妖猫”探寻30年前玄宗时代的往事,由此揭开杨玉环死亡真相的故事。文章运用概念整合理论的输入空间、类属空间、合成空间等意义建构模型,从电影媒体展现的视角,对《妖猫传》的故事情节、人物关系进行重新建构,梳理其从小说到电影媒体的再次创作所体现的深层次内涵。
The movie Legend of The Demon Cat has shown the story that Bai Ju-yi who was a poet of Tang Dynasty and Konghai who was a monk explored what had happed in the past thirty years in Xuanzong Era by following a“demon cat”,thereby revealing the truth of Yang Yu-huan’s death.This paper constructs a model by using input space,generic space and synthetic space of conceptual integration theory,reconstructs the storyline and character relations of The Legend of The Demon Cat from the perspective of film media,and sorts out the deep connotations reflected in its re-creation from novels to film media.
作者
李艳
LI Yan(College of Liberal Arts,Changchun University,Changchun 130022,China)
出处
《长春大学学报》
2022年第11期36-40,共5页
Journal of Changchun University
基金
吉林省教育厅科学研究规划项目(JJKH20200591SK)
吉林省高教学会重点项目(JGJX2022C72)。
关键词
概念整合理论
《妖猫传》
电影艺术
认知语言学
conceptual integration theory
Legend of The Demon Cat
film art
cognitive linguistics