伦敦城里的国际化疯狂——以泰特美术馆为例

The craze of inter nation alizati on in the city of London——The example of Tate

二战之后,世界艺术的中心从巴黎转移到纽约,伦敦这一交迁线路上的中转站,被理所当然的忽略了。虽然公认波普艺术的起源来自于英国,但是安迪·沃霍尔才是当之无愧的主角。英伦三岛似乎一直是两个大陆板块之间漂移的小舟,若即若离直至上世纪90年代,打着“YBA”旗号的年轻艺术家以狂飙突进之势席卷整个国际艺坛,在获得了巨大的社会声望与经济利益的同时,以叛逆而另类的视觉艺术语言震动了当时萎靡不振的世界艺术格局,其“余震”直至十年之后在中国依然未息。

The internationalized attempts of British comemporary art represented by Tate and Turner Prize are discreetly lingering in the sensitive zone between private and public.They will ccmtimte to mnduct the infemationcil exploration of new and avant-garde art in the way of perfectly combining the seriousness of public organizations and unforcseeability of new art.