钱锺书的文学阐释学观念与方法

Qian Zhongshu's Perspective and Approach on Literary Hermeneutics

钱锺书在《管锥编》《谈艺录》等著作中通过注释中国传统文史经典形成了自己独有的文学阐释学观念。大体来讲,这种阐释观念以现代心理学的“心同理同”为基本阐释原则,以文本内部、文本外部与文本内外部的循环阐释为基本方法,既“自西视中”,又“自中视中”,形成一种“比同”意义上的文学文本与宇宙人生阐释思路。这种阐释思路,由于在阐释观念、阐释对象、阐释方法等诸多方面构成了对中国文学阐释学系统的整体性承继,并体现出与西方文学阐释学的互鉴、互释与互补关系,因而成为中国文学阐释学在走向现代性之际的根本方法津途。

Qian Zhongshu's unique perspective on literary hermeneutics came into being in the course of annotating Classics of Chinese traditional literature and history in his representative works Guan Zhui Bian and On the Art of Poetry.It takes xintong litong(innate knowledge of the human mind and the principles of the universe are in liaison)of modern psychology as the basic principle of interpretation,and circular interpretation of intra-text,outer-text,and inter-and outer-text as the basic method,making heterogeneous and homogeneous comparison.An interpretative thinking of literary text and cosmic life in the sense of"comparison and similarity"has formed.