听见梦魇——《穆赫兰道》声音设计的美学探骊

Hearing the Nightmare——An Aesthetic Exploration of the Sound Design of Mulholland Drive

大卫·林奇的代表作《穆赫兰道》以其多义主题、开放性文本、无控式叙事、迷失意象等美学特征映照出他独特的审美偏好。声音设计的视域下,构建观本片晦涩诡谲的镜语,从而得知:电影中的噪音隐喻着不详与恐惧,能召唤出种种神秘骇人的意象;片中的人声被进行错配、悬置等处理则建立起全新的声画契约,营造出一种混沌玄幻的镜像空间;此外,听点的匠心设计形成了饶富意味的视听结构,标示出电影场景真实与虚幻的边界。

David Lynch's masterpiece Mulholland Drive reflects his unique aesthetic preferences with its polysemous themes,open text,uncontrolled narrative,and lost imagery,among other aesthetic features.From the perspective of sound design,the obscure and treacherous construction of the film's mirror language reveals that the noise in the film is a metaphor for uncertainty and fear,and can conjure up all kinds of mysterious and horrifying imagery.The mismatching and suspension of human voices in the film establishes a new sound and picture contract,creating a chaotic and metaphysical mirror space.In addition,the design of the point of audition creates a meaningful audio-visual structure,marking the border between the real and unreal scenes of the film.