当代中国革命音乐保护的资源化实践——以云南省聂耳革命音乐为例

Resource-based Practice of Chinese Contemporary Revolutionary Music Preservation——Taking Nie Er’s Revolutionary Music in Yunnan Province as an Example

中国革命音乐保护的资源化实践是多元主体共同参与的结果,具有政治、经济、文化的三重价值。以聂耳革命音乐为例,地方政府的引导和策划使其转化为寄托民族情感的爱国主义教育素材,加之市场化的运作和民众的参与,使之寻找到聂耳革命音乐文化与现代价值观的共同点,从而丰富了聂耳革命音乐的现代表现形式,并营造出社会和谐的场景。由此,聂耳革命音乐在这“脱域”与“人域”的文化建构过程中实现了文化功能的转化,同时成为国家治理体系中不可或缺的文化因素。

With triple values of politics,economy and culture,the resource-based practice of Chinese revolutionary music preservation is the result of joint participation of multiple parties Take as example Nie Er’s revolutionary music.It has been transformed into patriotic educational materials for reposing the national feelings with the guidance and planning of the local government and,with the help of market operation and participation of the public,the common ground between Nie Er’s revolutionary music culture and modern values has been found to enrich the modern forms of Nie Er’s revolutionary music and create a scene of social harmony.Thus,Nie Er’s revolutionary music has transformed in cultural function through“delocalization”and“localization”in the process of cultural construction and has eventually become an indispensable cultural factor in the national governance system.